Questions about Art and Spirituality/ Kandinsky, on the Spiritual
1. Is the 'concentration on form for its own sake' consequently an 'impoverishment of possibility' and is that the 'unavoidable result of the external application of an inner principle'? When you try to apply an inner principle externally, do you 'impoverish possibility'?
2. Is the realization of the inner working of colour still 'unconscious'?
3. Is there an inner working to color and form, or is it projection of the viewer?
4. Would Kandinsky's 'red horse in a careful naturalistic landscape' still creater such 'discord as to produce no appeal and no coherence'? or is there a different aesthetic today?
Question for Art and Audience:
1. Why does giving/receiving bind people together?
