Doris Salcido, Image Info
Tara Donovan, Image Info
Cornelia Parker, Image Info
Sara Lucas, Image Info
Barbara Kruger, Image Source
1.Given the immense influence of the readymade on sculpture, can it be said that its largest influence has been on the use of photographs? Or does the intangiblility of the photograph make it relate less to the term readymade than objects do, simply because they exist in space?
2.Is the theory of fetish use only related to castration, or other types of trauma as well?
3. Does an aesthetic experience have to be pleasurable
4. What does Iverson mean by disinterested? Disinterested in what? Is interest simply something that sustains our attention?
5.Does the readymade really imply disinterest in aesthetics? Or is its effort towards pointing to a different aesthetic than the traditional?
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